The Rachmaninoff Prelude in C# Minor is part of my soul now. I was in not-so-sunny California for a month and managed to get my practicing up to about 3 hours daily.
Most serious pianists spend about 7-8 hours a day practicing. Many of my students try for a daily 30-minute session. When I am really working seriously on something, I like to practice finger exercises for about an hour and then work on a couple of compositions for several hours. It was a true luxury to be able to concentrate on this work without distractions.
The generosity of Pat McNutt, Music Director of the Community United Methodist Church in Half Moon Bay, made this possible. The local piano tuner recommended that I contact her and she did not hesitate to provide a key when she heard what I was working on. Thanks to her, I could stop in at the church any time for a practice session.
After delivering children to school each morning, I simply drove a few blocks to the church and commenced. In the afternoon I delivered those same children to tennis, swimming or other activities and usually had a few more hours to practice. Since I wasn’t responsible for my usual teaching activities, I had the great luxury of this wonderful routine.
Before I left Rapid City, my piano teacher Deanna Ziarko had selected some specific finger exercises by Schmitt to help strengthen my hands. I also practiced my trusty Czerny School of Velocity favorites and some Bach inventions. Sure enough, my fingers DID get stronger.
Much of the credit goes to Eleanor. Who’s that? Well, the piano of course. She’s a lovely 7-foot Kohler & Campbell grand - with a HEAVY action. It took a lot of strength to push her keys. She also had a squeaky sostenuto pedal, but I learned to love it. You can see her in this picture with the morning sun streaming in. A lovely place — but chilly.
Suffering for your art helps. Of course, the church heat wasn’t on at 8:30 a.m. - I wore extra clothing and brought a blanket to wrap myself in. After a few hours of work, I usually peeled off a few layers. (Reminded me of the days in boarding school when I practiced in a barely-heated rehearsal hall.)
Frankly, I didn’t believe I’d ever play the final portion of the Rach (where the music is written on double staffs). The day that happened, I whipped out my trusty cell phone and called my teacher to let her know that “I DID IT!”.
Back in South Dakota now, I am waiting for the second blizzard to pass so that I can play this for my teacher. As soon as I got off the plane last Friday I went directly to her home and showed her the video on my digital camera. (By the way, I finally had time to read the instruction book and get my pictures and movies in better shape for use in my blogs. Time, time - it just takes time.)
Enough! I am back. Let me know how your piano projects are going. I’ll try to get some pictures of the Red Piano Recitals up on this site soon.
Thanks for stopping by. mlt